ID :
10929
Fri, 06/27/2008 - 14:28
Auther :
Shortlink :
http://m.oananews.org//node/10929
The shortlink copeid
US OJAI POST NEWSPAPER PUBLISHES ARTICLE CALLED “BRINGING AZERBAIJANI MUGHAM TO OJAI
Baku, June 27 (ANTARA/AzerTAj) - The US Ojai Post newspaper published an article called “Bringing Azerbaijani Mugham to Ojai� by Azerbaijan`s Consul General to Los-Angeles Elin Suleymanov.
The article runs: “Thus, in mid-May, the Azerbaijani musicians came to perform two concerts in the United States to mark the 85th anniversary of Azerbaijan’s late president Heydar Aliyev. First took place at the Ronald Reagan Presidential Library in Simi Valley and the second one was in Ojai.
Watching the musicians and the audience at the latter event, I knew that it was the right place.
There just seemed to be a connection between listeners and performers. One reason behind this was the music itself.
In Azerbaijan’s culture, Mugham holds a very special role. In 2003, the United Nations Educational, Scientific and Cultural Organization (UNESCO) recognized Mugham as a “Masterpiece of Oral and Intangible Cultural Heritage of Humanity�.
This is further illustrated by the fact that Azerbaijan’s First Lady Mehriban Aliyeva is UNESCO’s Goodwill Ambassador for the oral and musical traditions.
According to most accepted view, Mugham comes’ from Muslim call for prayer. Clearly, the roots of this musical tradition are spiritual, and, as such, it carries a universal appeal and transcends religious and geographic boundaries.
Of course, the concert in Ojai was not only about Mugham; it did include other elements of Azerbaijani music and some rather fiery folks dances.
By being able to connect to people in Ojai in spite of the language barrier and cultural difference, the Azerbaijani musicians, who traveled literally half-way around the world, felt at home. This is a tribute both to the universality of music and to the hospitality of Ojai’s people. There is, perhaps, a deeper connection as well; one that reflects a shared recognition of the importance of diversity and
tolerance.
For instance, this year, the Azerbaijanis mark the 90th anniversary of
establishment of the first parliamentary republic in the Muslim world.
This republic, which gave equal voting rights to men and women alike as early as in 1918, i.e. earlier than the United States, emerged at the historic cross-roads of civilizations and cultures. The same influences and diversity that shaped Azerbaijan’s society also impacted on its music, and the music helped Azerbaijani performers build bridges in California.�
The article runs: “Thus, in mid-May, the Azerbaijani musicians came to perform two concerts in the United States to mark the 85th anniversary of Azerbaijan’s late president Heydar Aliyev. First took place at the Ronald Reagan Presidential Library in Simi Valley and the second one was in Ojai.
Watching the musicians and the audience at the latter event, I knew that it was the right place.
There just seemed to be a connection between listeners and performers. One reason behind this was the music itself.
In Azerbaijan’s culture, Mugham holds a very special role. In 2003, the United Nations Educational, Scientific and Cultural Organization (UNESCO) recognized Mugham as a “Masterpiece of Oral and Intangible Cultural Heritage of Humanity�.
This is further illustrated by the fact that Azerbaijan’s First Lady Mehriban Aliyeva is UNESCO’s Goodwill Ambassador for the oral and musical traditions.
According to most accepted view, Mugham comes’ from Muslim call for prayer. Clearly, the roots of this musical tradition are spiritual, and, as such, it carries a universal appeal and transcends religious and geographic boundaries.
Of course, the concert in Ojai was not only about Mugham; it did include other elements of Azerbaijani music and some rather fiery folks dances.
By being able to connect to people in Ojai in spite of the language barrier and cultural difference, the Azerbaijani musicians, who traveled literally half-way around the world, felt at home. This is a tribute both to the universality of music and to the hospitality of Ojai’s people. There is, perhaps, a deeper connection as well; one that reflects a shared recognition of the importance of diversity and
tolerance.
For instance, this year, the Azerbaijanis mark the 90th anniversary of
establishment of the first parliamentary republic in the Muslim world.
This republic, which gave equal voting rights to men and women alike as early as in 1918, i.e. earlier than the United States, emerged at the historic cross-roads of civilizations and cultures. The same influences and diversity that shaped Azerbaijan’s society also impacted on its music, and the music helped Azerbaijani performers build bridges in California.�
