TEHRAN, Mar. 10 (MNA) – Isfahan is recognized as one of the most important centers of Qalamkari art in Iran. This traditional art, which has a history of several centuries, has long been rooted in this region, and Isfahani artists skillfully and delicately create Qalamkari works. Qalamkari, or Chit-sazi, is an art in which beautiful and diverse patterns are imprinted on cotton or silk fabrics using wooden blocks and natural dyes. In the past, this art was used to decorate clothing, tablecloths, table spreads, and other textiles, and today it is regarded as one of Iran's valuable handicrafts.
The city of Khorzugh, located in the Barkhar County of Isfahan Province, plays a significant role in preserving and developing the art of Qalamkari. Khorzugh is not only known for its unique dialect, which is a remnant of ancient Iranian languages, but also for its extensive activity in producing Qalamkar table spreads. This city is recognized as the hub of Qalamkar table spread production in the country, with over 80 active workshops in this field. Khorzughi artists, using both traditional and modern techniques, produce table spreads with diverse patterns and beautiful colors that are popular not only in domestic markets but also in international markets.
Khorzugh's Qalamkar table spreads are typically adorned with traditional Iranian designs such as arabesques, khatai, floral and bird motifs, hunting scenes, and historical scenes. These designs, in addition to their beauty, symbolize the rich culture and art of Iran. The production process of Qalamkar table spreads involves various stages, including design, block-making, printing, and dyeing, each requiring high precision and skill. The colors used in this art are usually derived from natural sources such as madder, weld, walnut husks, and indigo, which give the Qalamkari works durability and a unique appearance.
Today, the art of Qalamkari and the production of Qalamkar table spreads in Khorzugh are recognized not only as a handicraft industry but also as part of the cultural and economic identity of the region. This art, supported by cultural heritage organizations and the efforts of local artists, remains vibrant and is passed down to future generations. Visiting Qalamkari workshops in Khorzugh and observing the production process of these works is a fascinating and educational experience for enthusiasts of Iranian art and handicrafts.

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